The oral contraceptive pill: few women would deny its role in female emancipation because of the control it provides over reproductive choices. A post over at the Gender Across Borders blog (a recent find, and one of my favourite haunts of late) on contraceptive advertising in the US set me thinking.
Contraceptive ads in India have come a long way since the antiseptic, sanitized ads of Nirodh and Mala D—government products, freely available at all public health centres, and probably still the only affordable choice for the lower and middle strata of society. The ads centred on family and spacing children. Which is not surprising, given the audience they targeted—people who would probably not be comfortable with any public discussion of birth control. (Anyone from that pre-remote-controlled-TV generation will have plenty of fun memories of squirming parents and other elders, of forced loud conversations, deliberately and hastily started to drown out the ads … while children giggled.)
The 1990s saw a radical change in contraceptive advertising, at least as far as condoms were concerned. Kamasutra (and Pooja Bedi) started it all off and others followed—Moods, Kohinoor. The focus of these ads is unmistakably on the pleasure of sex. Instead of the “anti-pregnancy device” rhetoric that Nirodh projected, they play upon “attitudes toward sex” and promote the condom as “an intricate part of the pleasure of sex”.
Fine. But hold on to that bit about pleasure. Remember that condoms are male contraceptive devices.
What about the pill? Well, after Mala D, I remember seeing ads for several other brands of pills, mostly in women’s magazines such as Femina. And they emphasized the ‘hassle-free’ life pills promised. That is, their focus was on unwanted pregnancy: with control over pregnancy, women had greater freedom to do other things in life. I don’t recall any that spoke about the pill making sex a pleasurable act for the woman.
Today we have the emergency contraceptive pills—Unwanted 72 and the I-Pill. Ads for both these pills clearly target the modern, urban woman. One depicts a distraught young woman rushing, furtively, to an abortion clinic, and the other shows young women crying their hearts out because “they didn’t take precautions”. In both cases, the message is clear: use the pill if you want to avoid messy abortions and unwanted pregnancies.
There’s no denying the fact that the fear of pregnancy weighs heavier on a woman’s mind than on a man’s, since it’s an unequally shared burden, but is this a stereotype being promoted here? (Apparently there is already opposition in India to the way in which emergency contraception is being advertised: that it will encourage promiscuity, that its message of a “tension-free” life is misleading, that it sends out wrong signals about abortion.)
Advertisements for the pill seem to promote it as a lifestyle drug. As the GAB post puts it: “as whimsical and enticing as any for clothes, shoes, or makeup, showing pictures of young, smiling, healthy women, and how much easier their lives are with the pill.” There are even ads in the US depicting the supposed benefits of pills, such as cures for acne, PMS, etc.
The trouble is, as GAB asserts, “the pill is not a shoe, or mascara, and it is never a choice made in a vacuum.”
Also, ads for both condoms and the pill deliberately do not show the other side of the coin. While promoting the pleasure of sex, condom ads are silent about the risks of sexual behaviour. Similarly, oral contraceptive ads that speak of an easier life for women say nothing about their side-effects which all women who use pills know exist. But that’s the way ads function I guess.
What really bothers me is that the underlying rhetoric of contraceptive advertising is gendered: pleasure for the man and protection for the woman.
Why? Why is contraception portrayed as a means of ensuring pleasure for the man, and as protection from the havoc of pregnancy for women?
Because pregnancy is the woman’s headache?
Because women have to think about sex in terms of procreation, not pleasure?